近期关于问几个低级的英语问题 。的讨论热度持续攀升，我们通过多方渠道收集整理了相关资讯 ，并进行了系统化的梳理 。若这些内容恰好能为您提供参考，将是我们最大的荣幸。

1显然不可以in fear of 用i am afraid

2不可以 do you like ……应该是which kind of girl do you like

3

英语句型结构

一．简单句：

英语基本句型-1

主系表结构：本结构是由主语+系动词+表语组成
，主要用以说明主语的特征，类属 ，状态
，身份等
。

系动词有:

1.表示特征和存在状态的 be, seem, feel, appear, look, smell, taste, sound;

2.表示状态延续的 remain, stay, keep, continue, stand;

3.表示状态变化的become, get, turn, go, run, fall, come, grow;

eg: Our English teacher is thirty years old.

The cake tastes delicious.

The potatoes went bad in the fields.

Deep water stays still.

He was at work.

She is in good health.

It is beyond my ability.

I was at a loss.

You are under arrest.

英语基本句型-2

主谓结构：本结构是由主语加不及物的谓语动词构成, 常用来表示主语的动作。

如：The sun rises.

Tom has already left.

主语可有修饰语-定语，谓语可有修饰语-状语 。

如: 1. The red sun rises in the east.

2. They had to travel by air or boat.

3. She sat there alone.

4. He came back when we were eating.

5. Weak buildings will fall down in an earthquake
。

英语基本句型-3

主谓宾结构:本结构是由主语+及物的谓语动词+宾语构成。宾语成分的多样化使得这一结构异常复杂 。

如：1. Tom made a hole in the wall.

2. I don’t know if he can come tomorrow.

3. They haven’t decided where to go next.

4. She stopped teaching English two years ago.

英语基本句型-4

双宾语结构：此结构由“主语+及物谓语动词+间接宾语（人）+直接宾语（事物） ”组成
。如： He brings me cookies every day.

但若要先说出直接宾语（事物） ，后说间接宾语（人）
，则要借助于介词to或for。如： He brings cookies to me every day.

She made a beautiful dress for me.

用to侧重指动作的方向，表示朝着 ，向着
，对着某人 。

用for 侧重指动作的受益者，表示为了某人 ，替某人
。

常跟双宾语的动词有：（需借助to的）bring, give, lend, hand, offer, pass, pay, promise, return, send, show, teach, tell, write, ask等；

（需借助for 的） buy, call, cook, choose, draw, find, get, make, order, sing, save, spare等。

英语基本句型-5

复合宾语结构: 此结构由“主语+及物的谓语动词+宾语+宾语补足语”构成 。宾语补足语用来补充和说明宾语的性质和特点
，若无宾语补足语，则句意不够完整
。可以用做宾补的有：名词 ，形容词，副词
，介词短语，动词不定式 ，分词等。

如： The sun keeps us warm.

I heard him singing.

They made Tom monitor.

He used to do his homework with his radio on.

My mother asked me to clean my room.

The teacher made all students finish their homework on time.

用 it 做形式宾语
，而将真正的宾语放到宾语补足语的后面，以使句子结构平衡 ，是英语常用的句型结构方式 。即：主语+谓语+it+宾补+真正宾语。如：

I found it very pleasant to be with your family.

也可以说 I found it was pleasant to be with your family. 它们的区别在于第一个是简单句第二个是复合句
，意思都是一样的
。

英语基本句型-6

There be 句型： 此句型是由“there+be+主语+状语
”构成，用以表达存在关系可以称“……有……”。 它其实是全倒装的一种情况 ，主语位于谓语动词 be 之后
，there 仅为引导词，并无实际语意 。此句型有时不用be动词 ，而用 live, stand, come, go, lie, remain, exist, arrive等
，但一般不用have
。如：

There stands a hill in the middle of the park.

Once upon a time there lived an old king in the town.

Be 与其后的主语在人称和数量上一致，有时态和情态变化。如：

现在有 there is/are …

过去有 there was/were…

将来有 there will be…；there is /are going to be...

现在已经有 there has/have been…

可能有 there might be...

肯定有 there must be …/there must have been...

过去曾经有 there used to be …

似乎有 there seems/seem/seemed to be …

碰巧有 there happen/happens/happened to be …

Once, there lived an old fisherman in a village by the sea.

The weatherman says there’ll be a strong wind in the afternoon.

There used to be a cinema here before the war.

二．并列句 。

结构：

1.由分号连接
。

eg. Some people cry; others laugh.

Let’s start early; we have a long way to go.

2.由并列连词及词组连接-——and/ but /or/ so / however / still/ therefore /yet /while /otherwise /for /both…and…/not only…but also…/as well as/

or else/ either…or…/neither…nor…/not…but…等。

eg: I’d like to, but I have lots of homework to do.

I’ve got a cold, so I’m going to bed.

Both my father and mother are teachers.

It’s very good, yet I don’t like it.

三 、复合句

构成：由一个主句和一个或一个以上的从句构成 。主句和从句都有完整的主谓结构 ，但主句是全局的主体，从句只是全句中的一个成分
，不能独立存在
。从句通常是用引导词来引导的，引导词起连接主句和从句的作用。

分类：名词性从句（主语从句、表语从句
、宾语从句和同位语从句） ，形容词性从句（定语从句）
，副词性从句（状语从句） 。

1. 主语从句(Subject Clause)

一个句子在复合句中充当一个主语,那么这个句子就是主语从句.

1）常规主语从句，句子在复合句中充当主语

That he finished writing the composition in such a short time surprised us all.

Whether we will go for an outing tomorrow remains unknown.

Who will be our monitor hasn't been decided yet.

Whom we must study for is a question of great importance.

What caused the accident remains unknown.

Whatever you did is right.

Whose watch was lost is unknown.

What we need is time.

小结:

（1)引导主语从句连词有that,whether,who,what,whatever等

（2)连词位于句首不能省略

（3)主语从句大多数情况下视为三人称单数
。

注意：为了防止句子头重脚轻 ，通常把形式主语it放在主语位置
，真正主语搁置于句末

It is certain that he will win the match.

It is true that he has made a very important discovery in chemistry.

It is strange that he should do that.

It is said that he has gone to shanghai.(=He is said to have gone to shanghai)

It is known to all that the gun powder was first invented by the Chinese.

It is suggested that the work should be done with great care.

It seems that he has seen the film.(=He seems to have seen the film)

It happened that the two cheats were there. (=The two cheats happened to be there)

小结:

（1)以that 引出的主语从句,常以形式主语it引导. It is +形容词/名词/某些动词ed + that 从句.

（2) 在有些that从句中要用虚拟语气 (should+do/should+have done)

2.表语从句

定义：

表语从句就是用一个句子作为表语。

The problem is puzzling.

主语 连系动词 形容词作表语

The problem is when we can get a pay rise.

主语 连系动词 一个句子作表语---表语从句

连接表语从句的连接词有：that, what, who, when, where, which, why, whether,how.

He has become a teacher.

He has become what he wanted to be ten years ago.

She has remained there for an hour.

She has remained where I stood yesterday for an hour.

His suggestion is good.

His suggestion is that we should stay calm.

The question is confusing.

The question is when he can arrive at the hotel.

Who will travel with me to Beijing tomorrow.

Why he cried yesterday.

How I can persuade her to join us in the party.

注意：

1.表语从句一定要用陈述语序 。

False: The question is when can he arrive at the hotel.

Right: The question is when he can arrive at the hotel.

2.不用if，而用whether 连接表语从句(as if 例外）。

False: The question is if the enemy is marching towards us.

Right: The question is whether the enemy is marching towards us.

Right: It looked as if he had understood this question.

3.像宾语从句 ，在有表语从句的复合句中
，主句时态和从句时态可以不一致
。

Right: The question is who will travel with me to Beijing tomorrow.

Right: The question is why he cried yesterday.

4.that 在表语从句中不能省掉。

3. 宾语从句

在句子中起宾语作用的从句叫做宾语从句.

构成:带有宾语从句的复合句就是用连接词把一个主句和一个宾语从句连接在一起 。连接词有：that(可省略)，what, who, when, where, why, which, if, whether, how.

He suggested (that) we should clean the corridor every day.

宾语

He told me (that) he would leave Dalian airport at 8pm.

间接宾语 直接宾语

He told me where he was going to travel that summer.

间接宾语 直接宾语

He told that he would go to the college the next year.

I don’t know if there will be a bus any more.

Nobody knew whether he could pass the exam.

Do you know who has won Red Alert game?

I don’t know whom you should depend on.

The book will show you what the best CEOs know.

Have you determined whichever you should buy,a Motorola or Nokia cell phone?

He didn’t tell me when we should meet again.

Could you please tell me how you read the new book?

None of us knows where these can be bought.

注意：

1.用形式宾语it代替的宾语从句

①动词find,feel,consider,make,believe等后面有宾语补足语的时候,则需要用it做形式宾语而将that宾语从句后置.

I think it necessary that we take plenty of hot water every day .

I feel it a pity that I haven’t been to the get-together.

I have made it a rule that I keep diaries.

We all find it important that we (should) make a quick decision about this mater.

②有些动词带宾语从句时需要在宾语与从句前加it

这类动词主要有:hate, take , owe, have, see to.

I hate it when they with their mouths full of food.

He will have it that our plan is really practical.

We take it that you will agree with us.

2.介词的宾语从句

We are talking about whether we admit students into our club.

The new book is about how Shenzhou 6 manned spaceship was sent up into space.

有时候except,but,besides三个介词后可见到that引导的宾语从句

I know nothing about my new neighbor except that he used to work with a company.

3.形容词的宾语从句

常用来引导宾语从句的形容词有: sure, certain,glad,please,happy,sorry,afraid,satisfied,surprised

I am sure I will pass the exam.

I am sorry that I have troubled you so long.

He is glad that Li Ming went to see him when he was ill.

4. if,whether在宾语从句中的区别

whether后可以加or not,但是if不可以.

在不定式前只能用whether.

I can’t decide whether to stay.

⑤避免歧异时,我们常用whether而不用if.

5.宾语从句的否定转移

动词是think,believe,imagine,suppose,consider,espect,fancy,guess等,并且主句的主语是第一人称而且为一般现在时,从句的否定词一般要转移到主句上来,其反义疑问句一般与宾语从句一致.

I don’t think he will come to my party.而不能说成I think he won’t come to my party.

I don’t believe that man is killed by Jim,is he?

如果宾语从句中有某个含有否定意义的形容词或副词,其反义疑问句要用肯定形式.

We find that he never listens to the teacher carefully,does he?

6.宾语从句的时态和语序

当主句为现在时或将来时的时候,宾语从句的时态一般不受主句的时态所影响.

当主句为过去时的时候,从句用相应的过去时态

I only knew he was studying in a western country,but I didn’t know what country he was in.

He asked me if I was reading the story The Old Man and the Sea when he was in.

He told me that he had told Mary about the meeting already.

The reporter asked if the government would take necessary measures to put down the to-do.

如果从句是一个客观真理,那么从句的时候不根据主句的时态而变化

The teacher said that the moon goes around the earth yesterday.

当宾语从句的引导词是who,which,what,when,where,how,why等表疑问时,不能按正常语序安排,经常将这类引导词置于句首

Who do you think the public might choose as their favorite singer this year?

7.建议 suggest , advise

要求demand 、desire 、require
、request、propose；

决定 decide;

命令 order 、command;

坚决主张 insist;等动词后跟宾语从句 ，用（should）+v．（虚拟语气）

eg． I suggested that you（should）study hard．

He ordered that we should go out at once．

4.同位语从句

一
、在复合句中用作同位语的从句叫同位语从句
。它一般跟在某些名词后面
，用以说明该名词表示的具体内容。如：

I heard the news that our team had won．

I had no idea that you were here．

二、可以跟同位语从句的名词通常有news，idea ，fact，promise
，question，doubt ，thought
，hope，message ，suggestion
，words（消息），possibility等 。如：

I’ve come from Mr wang with a message that he won’t be able to see you this afternoon．

4可以 但是你那种说法不行 woman teacher

一段淡淡的文字 ，希望厉害的人愿意帮忙译成英文
，非常感谢
。急哦~

Ju-on: The Grudge (呪怨 ,Juon?) is a 2003 Japanese "J-Horror" film, written and directed by Takashi Shimizu. The film is the third entry in the Ju-on series and is the first film theatrically released (the first two entries were direct to video productions). The film was released in Japan on January 25, 2003 and has spawned several sequels and an American remake titled The Grudge which was released in 2004.

It is said in Japan that when someone dies in extreme sorrow or rage, the emotion remains and can leave a stain upon that place. Death becomes a part of that place, killing everything it touches.Once it sees you, it never lets go.

下面是人物的分别介绍

Rika (理佳 ?)

Rika is a volunteer social worker charged with caring for Tokunaga Sachie, a catatonic elderly lady. She discovers the quiet suburban home in a state of disarray and her ward malnourished and soiled, with no one else home. While vacuuming she finds a family picture with the wife's face cut out. Upstairs she hears shuffling noises coming from the bedroom closet, which has been taped shut. Rika removes the tape and opens the door when she hears meowing sounds. Inside the closet she discovers a black cat and a young boy whom she recognizes from the photo. She calls the welfare center to report the incident. She hangs up and is startled to see the boy staring down at her from the upstairs balcony. She asks his name. "Toshio," is his reply. Murmuring from Sachie's room draws Rika's attention. Rika attempts to calm Sachie, but is frightened by the sudden appearance of a dark shadow descending upon them. A pair of eyes appear within the shadow, which open and stare directly at Rika, who then faints. Toshio is seen standing over her.

[edit] Katsuya (胜也 ?)

Kazumi, Katsuya's wife and Sachie's daughter-in-law, cannot sleep at night because of what she presumes to be Sachie's restless stirring. Kazumi reminds her husband as he leaves for work that his sister, Hitomi, is expected for dinner. She falls asleep on the couch and is startled awake. At first she assumes that it was Sachie, but soon sees a pair of fresh handprints on the door. She discovers a black cat on the stairs. When she approaches, a pair of small pale arms reach out and take the cat, which scares Kazumi.

Katsuya comes home to find his wife lying on the bed unable to move or speak. As he goes for the phone, he senses another presence in the room and soon encounters the boy, Toshio. Katsuya asks who he is, but gets no reply as the closet doors begin to shake and his wife's condition worsens.

Hitomi arrives for dinner only to find her brother sitting on the stairs behaving strangely and muttering something about a child that isn't his. She asks about Kazumi, but Katsuya will not say what became of her. Katsuya pushes Hitomi outside and tells her to go home.

[edit] Hitomi (仁美 ?)

Hitomi is one of the last people to leave the office building. She unsuccessfully attempts to call her brother on her way out. On her way out, she hears strange shuffling sounds in the corridor, which seem to be coming from behind her. Slightly unnerved, Hitomi stops in the ladies room, where her phone rings and identifies the caller as her brother. When she answers, a terrible death rattle sounds is heard coming from the mobile phone. In the stall next to her a provoking banging begins, Hitomi apologizes and hangs up the phone. A small teddy bear ornament falls from her purse as she begins to leave the bathroom. As Hitomi reaches for it the next door stall opens and an ethereal curtain of black hair moves ominously toward her making the same death rattle noise she heard during the mobile phone call. Hitomi runs to the security office and asks a security guard to investigate. She observes him, via a surveillance monitor in the security office, as he goes stops at the bathroom door the video camera footage begins to pick up little interference and a dark shadow emerges from under the door guiding the security guard into the room. Hitomi makes a hasty retreat to her apartment. At her home the phone rings and it ends up being her "brother" claiming to have forgotten the apartment number. Hitomi tells him the number, which is several stories up, and buzzes him into the building. Before she could hang up the phone her doorbell rings. She looks through the peephole and it's her "brother". She opens the door to nothing but an empty hallway, the death rattle sound comes loudly from the phone still in her hand. Hitomi quickly throws the phone on the hallway floor and heads back into her apartment, turns on the television, and cowers under the covers of her bed. The news is on but while the reporter is reporting the television picture and audio become distorted, the face warps into a phantom like image and the audio emits the death rattle sound and the television shuts itself off. Petrified, she continues to hide in her bed. Shortly after, she feels something strange in the bed and pulls it out, it's the teddy bear ornament that fell from her purse back at work. A human-shaped lump manifests from beneath the covers at the far end of the bed. Hitomi lifts the sheet to see the female ghost, who quickly pulls Hitomi towards her. A full shot of the room is seen and both the ghost and Hitomi are now gone.

[edit] Toyama (远山 ?)

When Rika does not return to the care center, her boss, Hirohashi, goes to the house to check on her. He finds Sachie dead and Rika in a state of shock. Detectives attempt to locate Katsuya by calling his cell phone. They hear ringing coming from upstairs and track the sound to the attic. There they find the bodies of the young couple living there, Katsuya and Kazumi. They also find out that every family that had lived in the house either died or disappeared. During the investigation, Hirohashi is found dead, and Hitomi is missing. The investigators turn to another detective, Toyama, for answers. Toyama was assigned to the case of a man, Takeo Saeki who had murdered his wife, Kayako, and child, Toshio, in that house years before. Toyama watches the security tape of Hitomi's office building and sees the security guard being consumed by a shadow and Kayako looking directly at the security camera. Convinced that the house is responsible for the rash of disappearances, Toyama goes there with gasoline, intent on burning it to the ground. He has a daughter, Izumi, who was about twelve years old. While inside he experiences a vision of her as a teenager. He is then attacked by Kayako. He manages to escape the house, but the two investigators who came to look for him are not so fortunate.

[edit] Izumi (いづみ ?)

Several years later Izumi is a teenager and her father, Toyama, long since dead - another Ju-on casualty. As Izumi and two friends walk to school, she notices a missing persons poster featuring three of her friends. She was with them the day they disappeared from a house that was rumored to be haunted. Izumi feels guilty because she ran from the house in fear, leaving the others to their fate. At school the girls notice that there are no photos of Izumi from a recent event and complain to their teacher about it.

Izumi's state of mind has been deteriorating since the day they went to that house. She keeps the curtains closed, covers her head with a hood, and clutches a pillow. Her friends visit and are disturbed by Izumi's condition and the strange behavior of her mother. One friend draws the curtain to reveal that the windows are covered with newspaper. Izumi tells them the ghosts of her three missing friends are stalking her, peering at her through the windows. As her friends leave, Izumi's mother tells them her father had exhibited the same behavior before he died.

The girls remember the photos they brought to show Izumi. They understand why the teacher had not posted any photos of Izumi. In every photo, Izumi's eyes were eerily blackened out - as were the eyes of her three missing friends.

Back in her bedroom, Izumi is having a vision of her father. She suddenly wakes to find a scrap of newspaper on the bed and moves quickly to return it to the window. When she pulls the curtain, she sees her three missing friends, pale and grey, staring at her through the gaps in the newspaper. Terrified, she runs from her room, but the ghosts of her friends are in hot pursuit. Izumi runs into a room and attempts to block the doorway, but this does not deter the ghosts. Izumi, in a panic, backs away - right up against the Shinto altar in her house. Suddenly, ghostly hands, belonging to Kayako, emerge from the altar. Kayako proceeds to drag Izumi, kicking and screaming, into the altar as the ghosts of her three friends continue to approach. As the camera zooms in to the altar, the faces of Izumi and her father materialise in the darkness. In the bonus material of the DVD Shimizu explains that he intended on including the same effect happening between the shelves in the room revealing the faces of the three friends, but this idea was dropped because he thought it would either be ridiculed or take away the focus of Izumi's death and place it on the entire group.

Before her death it is made quite clear this takes place years in the future, not only because there is a scene with her father and her as a child, but not long before she dies her mother is watching the news. The report is on the discovery of Rika's dead body.

It is also theorized that she is an unmentioned character in the last vignette of Ju-On: The Curse 2 (the sequel to the telemovie) because it is titled "Saori," who is the name of one of her friends who disappeared in the Saeki house. Saori was the "ringleader" of the group.

[edit] Kayako (伽椰子 ?)

Rika has more or less recovered from the trauma of her experience in the house. She arranges to meet an old friend, Mariko, for lunch. An old man plays peek-a-boo with an unseen person just outside the care center where she still works. Another worker, assuming the man is feeble-minded, tries to join in the game and is rebuffed. The old man resumes his game with his unseen playmate, a sight which makes Rika uneasy. Toshio's reflection is visible in the glass, revealing the identity of the unseen playmate.

While having lunch with Mariko, Rika sees Toshio under the table, panics, and rushes out. Later Rika receives a call from Mariko, concerned over what had happened at lunch. Mariko tells Rika that she is on a home visit for a student who has not been to school. The student's name is Toshio.

Rika quickly realizes that Mariko is in the cursed house. She hurries there, but too late to help as Rika sees Mariko being dragged up into the attic (in the same fashion as Yoko was pulled up in The Grudge US remake). Rika briefly follows Mariko's path and sees Kayako crawling towards her. Rika panics and runs down the stairs to the door, but she runs past a mirror and sees an unfamiliar reflection where her own should be. She covers her face with her hands in the same way that the old man playing peek-a-boo did. Doing so reveals Kayako in the mirror, staring back at her through her fingers. After a frightening vision of Kayako emerging from her chest, Rika hears thumping noises overhead, and realizes that something is coming slowly down the stairs toward her. The ghost of Kayako, the murdered wife, inside a blood-soaked plastic bag is crawling toward her, long black hair covering her face. She seems to be reaching out for help. Rika covers her face with her hands again, and, to her horror, sees herself as Kayako (it is commonly mistaken that she is actually seeing Kayako without the blood, but this is not the case). It is then that Rika comes to the terrible realisation that she is destined to play out the curse.

After this revelation, Kayako disappears. More noises come from the stairs. Rika looks up to see a ghost of a blood-covered Takeo, slowly descending the stairs. As Rika screams, Takeo reaches for her and kills her off-screen (in a deleted scene, her death is shown in more detail - she is killed in exactly the same way as Kayako was).

The scene then fades to shots of the streets - abandoned and littered with 'missing' posters. The body of Rika is then seen, wrapped in a plastic bag, inside the attic. As the camera zooms in on her face, her eyes open and the now-familiar croaking sound like Kayako.

This chapter is presumably set years later, perhaps in the same timeline as the "Izumi" chapter, as evidenced by the news report in that chapter.

急求《罗马假日》台词

Still,the girl has forgotten to learn to take care of herself.

She can not help sinking into deep thought for a lot of things while making herself sorrow-striken.

She scared just because of the loneliness road.

Choosing silence,because she can not find the way to confide（倾诉）her inner world.

Knowing other's worry about her,she tried not to let her lover feel distressed

往事很远,我现在很安静:

I'm peaceful with the past gone with the wind

Ann: Would you be so kind as to tell me where I am?

Joe: Well, this is what is laughingly known as my apartment.

Ann: Did you bring me here by force?

Joe: No, no. Quite the contrary.

Ann: Have I been here all night, alone?

Joe: If you don't count me, yes.

Ann: So I've spent the night here - with you?

Joe: Well now, I-I don't know that I'd use those words exactly, but uh, from a certain angle, yes.

Ann: (beaming with a smile) How do you do? (She extends her hand for a handshake)

Joe: How do you do?

Ann: And you are - ?

Joe: Bradley, Joe Bradley.

Ann: Delighted.

Joe: You don't know how delighted I am to meet you.

Ann: You may sit down.

Joe: (sitting on the bed) Thank you very much. What's your name?

Ann: You may call me Anya.

Ann: I ran away last night, from school.

Joe: Oh, what was the matter? Trouble with the teacher?

Ann: No, nothing like that.

Joe: Well, you don't just run away from school for nothing.

Ann: It was only meant to be for an hour or two. They gave me something last night to make me sleep.

Joe: Oh, I see.

Ann: Now, I'd better get a taxi and go back.

Joe: Well look, before you do, why don't you take a little time for yourself?

Ann: Maybe another hour.

Joe: Live dangerously. Take the whole day.

Ann: I could do some of the things I've always wanted to.

Joe: Like what?

Ann: Oh, you can't imagine. I-I'd do just whatever I liked all day long.

Joe: You mean things like having your hair cut, eating gelati...

Ann: Yes, and I'd sit at a sidewalk cafe and look in shop windows. Walk in the rain, have fun and maybe some excitement. Doesn't seem much to you, does it?

Joe proposes to spend the day with her and experience everything she has always wanted to:

Joe: Tell you what. Why don't we do all those things, together?

Ann: But don't you have to work?

Joe: Work? No. Today's gonna be a holiday.

Ann: But you want to do a lot of silly things?

Joe: (He takes her hand) ...First wish? One sidewalk cafe, comin' right up. I know just the place. Rocca's.

At the cafe, Ann orders costly champagne for lunch, and then describes, in disguised terms, her father's fortieth anniversary of the day he got his job:

Ann: Well, mostly you might call it public relations.

Joe: Oh, well, that's hard work.

Ann: Yes. I wouldn't care for it.

Joe: Does he?

Ann: I heard him complain about it.

Joe: Why doesn't he quit?

Ann: Oh, people in that line of work almost never do quit, unless it's actually unhealthy for them to continue.

To conceal his own identity to her, Joe describes his own line of work:

Ann: What is your work?

Joe: Oh, I'm, ah, in the selling game.

Ann: Really? How interesting. What do you sell?

Joe: Fertilizer. Chemicals. You know, chemicals. Stuff like that.

When Irving arrives, he repeatedly tries to mention that Ann is a "ringer" for the Princess, but Joe blocks him by kicking him under the table, dumping a drink in his lap, and finally by knocking his chair over. When Joe gets Irving away for a few moments, he tells his photographer friend about Anya Smith's ("Smitty's") real identity and the promise of five grand (including a percentage of the take if there are pictures): "She doesn't know who I am or what I do. Look Irving, this is my story. I dug it up. I've got to protect it...Your tin无效s are gonna make this little epic twice as valuable...You're in for twenty-five percent of the take." Then, he asks his friend to loan him thirty thousand lira ("that's fifty bucks") so that he can entertain the Princess for the rest of the day.

Ann smokes her "very first" cigarette, while Irving surreptitiously takes pictures of her with his hidden-camera cigarette lighter. Meanwhile, "plain-clothes" men are retained to search the city for the missing princess, as Joe, Ann, and Irving begin their carefree tour of the city on a "fun schedule." She rides on the back of Joe's motorcycle to see the famous sights, including the ruins of the Coliseum. After Ann recklessly drives them through the streets, they are arrested by the polizia but released after Joe's clever alibi: "Going to church to get married on a scooter." Ann brags about her own deceitfulness:

Ann: I'm a good liar too, aren't I, Mr. Bradley?

Joe: The best I ever met.

In a memorable scene, Joe shows the Princess a sculpture which he names 'The Mouth of Truth.' He tests the legend with her:

Joe: The Mouth of Truth. Legend is that if you're given to lying, you put your hand in there, it'll be bitten off.

Ann: Oh, what a hard idea.

Joe: Let's see you do it.

Ann: (she nervously moves her hand toward the mouth, but then pulls back) Let's see you do it!

Joe scares the Princess into believing he has lost his hand inside the sculpture's mouth. Later during her guided tour, they visit a wall covered with in脚本ions:

Joe: Each one represents a wish fulfilled. It all started during the war. There was an air raid, right out here. A man with his four children was caught in the street. They ran over against the wall, right there, for shelter and prayed for safety. Bombs fell very close, but no one was hurt. Later on, the man came back and put up the first of these tablets. Since then, it's become a sort of a shirine. People come and whenever their wishes are granted, they put up another one of these little plaques.

Ann: Lovely story.

Joe: Read some of the in脚本ions. (Ann moves closer toward the wall) Make a wish? (Ann nods). Tell the doctor?

Ann: (declining) Anyway, the chances of it being granted are very slight.

Ann suggests going dancing that evening on a barge down by Sant' Angelo on the Tiber River, where she was invited to meet the salon barber:

Ann: At midnight, I'll turn into a pumpkin and drive away in my glass slipper.

Joe: And that will be the end of the fairy tale.

可以么

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